An interview with Richard Sutton

6357977105_b226a9fa3e_nBack in November I posted the story starter, “She knew right away the stamps were no good—no good for mailing anyway,” and asked folks to finish the story. People wrote some fine stories in the comments section to that post, which you can read at http://lauramchaleholland.com/writing/a-flash-fiction-story-to-finish/.

Richard Sutton was the first one to post a story. I was impressed that he could dash off such a good story so quickly, so I interviewed him by email. I’m going to paste in the interview here. Below that will be his story.

What do you like about writing flash fiction?
I enjoy the challenge, and approach it as a single effort at the keyboard, usually, to make it harder.

Please describe a bit of the creative process you went through in writing this particular story.
There’s not much I can actually describe. Your prompt gave me a mental image, which had to have a reason for being. The local flooding and storm damage here on LI has been in my thoughts a lot, so that prompted the fleshing out of the image, and of course, trying to control ourselves when faced with awful frustration is very difficult. The twist just made some kind of macabre sense of fair play.

What other types of writing do you do? Why?
I write both in non-fiction and fiction. My four available books include two historical novels, released beginning 2009 and two novellas that were released in September and October of this year. I write because I always seem to have stories circling around in my head and it helps the noise to get them down on paper. I got my practice from twenty some-odd years in advertising design, marketing and copy writing.

What books have you published, and where can people find them?
My books are available on Amazon, Barnes & Noble, local book sellers and in all eBook formats on Smashwords.com
Historical Novels: The Red Gate (2009); The Gatekeepers (2010)
Novellas: Home (scifi, 2012); Troll (prehistorical fiction, 2012)

Where can people learn more about you?
My own blogsite is www.sailletales.com. Our family business since 1985 has been in the sales of authentic American Indian arts, so I also maintain our commercial website, www.kivatrading.com. Finally, I’m quite active (for several years now using my given name) on the writers site, www.Litopia.com.

Restraint
By Richard Sutton

She knew right away the stamps were no good—no good for mailing anyway.The adhesive had gone all grey and spotty on the back, and the edges of the sheet had curled and faded. She laid them down with the rest of the contents of the top desk drawer, into the trash tub. It was almost full and so heavy she’d have to drag it to the door.

Near the front door, sat other big plastic tubs of memories, all kinds of Tsotchkes she new she didn’t really need anymore. Still, as she braced her back with one hand and stood upon her still shaky legs, she didn’t feel unburdened at all. Clearing out the soggy remnants of her adult life was turning out to be painful. She’d tried to go the resignation route. At least it deadened some of her immediate discomfort, but yesterday, seeing what the dirty water had done, the fragile facade just crashed around her.

Out side, she could hear Jim talking to the insurance agent. It had been almost two weeks before they’d even been able to go home, and now, Jim was asking for details about why their policy wasn’t going to cover the damage. She was glad she was in here. She knew Jim was a wise, careful man. Two attributes that she’d always had in short supply. She considered if the momentary joy of bashing the insurance man over the head with a shovel would be worth the the jail time she’d get.

“Honey? Can you come to the door?” Jim called her, quietly, from the yard.

When she looked down the steps into the front yard, saw the long-handled shovel in Jim’s hand, and the inert form of the insurance man in his suit, crumpled up between the piles of sodden sheetrock and the ruins of her furniture, she just had to smile. What else could she do?

Thanks to Richard for this story and follow-up interview. And thanks to the other talented writers who posted stories, too. I think I’ll do this again. Do you like that idea?

Photo by massmarrier

Note: If you don’t see a comment box below this post, scroll up and click on the post’s title. It’ll take you to a page with a comment area beneath the post.

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The one he always wants to hear

Here’s another moment in the ongoing series of connected episodes that might (with revision) become a short story at some point.

The One He Always Wants to Hear
By Laura McHale Holland

We sit together, the abandoned boy and I, on a bench at the aquarium. He’s never before seen otters cavorting or orange jelly fish drifting through the deep, or sea anemones opening, closing, opening, closing in a rhythm ancient as the earth.

He leans against me and looks up with sad brown eyes. He doesn’t know his father is infamous for slaughter or that his stepdad insisted his pregnant mom leave him behind when the family moved to India. The stepdad said he couldn’t allow the boy’s bad genes to taint his coming child.

He leans in closer to me and asks, “Can we go to the land you came from?”

“We sure can,” I say. “Just close your eyes.”

And I begin the story, the one he always wants to hear, the one about the land behind the waterfall.

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All of the episodes in this series in the order in which they were posted follow:

Back pocket wishes

Cascading to the sea

Right through the heart

Away today?

A dime a dozen

She doesn’t know them

On the seat

A pillar of the community

He needs a friend

Double rainbow

The one he always wants to hear

Give it some time

It gives my life meaning

Smiles

Extenuating circumstances

 The four of us

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Double rainbow

This week’s episode. What do you think?

Double Rainbow
By Laura McHale Holland

Carly runs the palm of her hand over her skirt, smoothing wrinkles that aren’t there. Facing her, a lawyer shuffles papers on hs desk until he finds the Last Will and Testament of Chloe’s biological grandfather, the man who had hired a drug dealer to kidnap and kill Carly and her daughter, Chloe. Now the old man is gone, knifed repeatedly in a prison bathroom—no witnesses, no suspects.

To Carly’s left her former boyfriend, who is also the dead man’s son, is texting someone on his cell phone. To his left is his mom, sitting tall and stiff. Carly looks straight ahead and sees a faint double rainbow just inside of the window behind the lawyer. She smooths the nonexistent wrinkles again.

The lawyer thanks them all for coming and begins reading. After several pages, he finishes and puts the will down. “This is preposterous,” the older woman declares.

“Let me see that,” the dead man’s son snaps. He stands up, snatches a copy of the will from the desk and starts reading.

Carly cannot speak. She and Chloe are inheriting half of the dead man’s business. It’s some kind of holding company that owns more than half the town. The rainbow glows.

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All of the episodes in this series in the order in which they were posted follow:

Back pocket wishes

Cascading to the sea

Right through the heart

Away today?

A dime a dozen

She doesn’t know them

On the seat

A pillar of the community

He needs a friend

Double rainbow

The one he always wants to hear

Give it some time

It gives my life meaning

Smiles

Extenuating circumstances

 The four of us

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He needs a friend

The story continues …

He Needs a Friend
By Laura McHale Holland

The social worker looks through the one-way glass at the boy on the other side. He was abandoned by his mother shortly after his father gunned down a dozen people on his way to a custody hearing. The boy stares at the puzzle, hands in his lap, while the social worker watches the brick wall behind the boy fall away.

Icy wind blasts in from a stark, frozen beach with only rocks and snowdrifts at the shore, bare saplings bending to the gusts, no birds on the wing, no footsteps approaching.

The social worker looks up a number on her cell phone. As she places a call, the brick wall reappears. “Hello? This is Ms. Maples from social services. … I’m good. How are you? … No, Chloe is doing just fine; the family wants to leave the past behind. … That was a surprise, wasn’t it: her own grandfather wanting her and Carly killed. … Are you still working as a chauffeur? … Good, good. … Well, there’s a boy here, and his eyes, I can’t explain it, but they’re just like Chloe’s. … He needs a friend … Why not come and meet him? … You could join the Big Brother program … No commitment, just a meeting. … Okay then, see you tomorrow.”

She turns off her phone, puts it on her desk and then enters the observation room. She kneels beside the slumping boy and tells him she has good news. He stares at the puzzle, lips quivering, and hopes she’ll go away soon.

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All of the episodes in this series in the order in which they were posted follow:

Back pocket wishes

Cascading to the sea

Right through the heart

Away today?

A dime a dozen

She doesn’t know them

On the seat

A pillar of the community

He needs a friend

Double rainbow

The one he always wants to hear

Give it some time

It gives my life meaning

Smiles

Extenuating circumstances

 The four of us

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A pillar of the community

I don’t think this episode can stand alone, but it does move the larger story along.

A Pillar of the Community
By Laura McHale Holland

The police chief stands at the microphone, loosens his tie and waits for the room to quiet down. Behind the podium, Carly’s parents, Janet and Jasper, sit side by side, holding hands.

Carly and her daughter, Chloe, are back home watching The Little Mermaid on video, a favorite movie from Carly’s childhood. As Chloe bounces to the song “Under the Sea,” Carly marvels at how she thought she’d always hate the junkie who wrenched Chloe from her arms. But since the arrest of D. Albert Jones, her former boyfriend’s father, Carly has felt a measure of gratitude because the junkie didn’t do what he was hired to do. Mr. Jones paid him handsomely to kill Carly and Chloe and dispose of their bodies deep in the forest, where only marijuana growers dare to go.

The police chief clears his throat and begins his briefing. “D. Albert Jones has been a pillar of the community for many years, and I know many of you think of him as a friend. But the case against him is airtight,” he says. Janet’s eyes tear up; Jasper puts his arm around her.

Meanwhile, in another room Jones breaks down, “Carly was supposed to give that baby up for adoption,” he says. “My son signed the papers, but she broke her word so she could suck our family dry. She would never have left my son alone. I couldn’t let her ruin his life.”

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All of the episodes in this series in the order in which they were posted follow:

Back pocket wishes

Cascading to the sea

Right through the heart

Away today?

A dime a dozen

She doesn’t know them

On the seat

A pillar of the community

He needs a friend

Double rainbow

The one he always wants to hear

Give it some time

It gives my life meaning

Smiles

Extenuating circumstances

 The four of us

 

 

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Away today?

The story continues …

Away Today?
By Laura McHale Holland

The woman, a social worker, yawns and studies the girl at play on the other side of the one-way mirror. A mop of unruly dark hair droops into the child’s eyes as she slides pieces of various shapes, sizes and colors into a three-dimensional puzzle.

 

Suddenly, the stucco wall behind the girl falls away, revealing sunshine, a beach, white caps cresting. Knowing there is no body of water near her office, the woman nonetheless sees sand and waves. The girl runs shrieking with glee to a young man building sand castles. She helps him shape turrets, dig motes. Wrapped in seaweed garments, pieces of driftwood become kings and knights of old.

 

The woman recognizes the man on the beach; he stops by every day and asks to become the child’s foster parent, but he is just 23 years old and single and hungry and threadbare; how could he provide for a preschooler?

 

The doorbell rings. The social worker glances at her door. When she looks again into the glass, the wall is in place, and the girl is at the puzzle. Only five minutes have passed, according to the wall clock.

 

The social worker answers the door. It’s the young man, again. He’s the only one who visits. The child’s high-profile parents, killed in a shooting a few months ago, hadn’t finalized her adoption. No one on either side of what was going to be her family wants to care for the tot who, as a newborn, was left at a hospital entrance three years ago.

 

The man steps into the playroom. The girl looks up, smiles, runs to her father’s former chauffeur. “We go away today?” she asks. He shakes his head, kneels down, tousles her hair. They begin working the puzzle. The social worker takes notes.

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All of the episodes in this series in the order in which they were posted follow:

Back pocket wishes

Cascading to the sea

Right through the heart

Away today?

A dime a dozen

She doesn’t know them

On the seat

A pillar of the community

He needs a friend

Double rainbow

The one he always wants to hear

Give it some time

It gives my life meaning

Smiles

Extenuating circumstances

 The four of us

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Right through the heart

Right Through the Heart
By Laura McHale Holland

He had nothing against the man and woman rushing to the Mercedes, nor the paparazzi in pursuit, nor the throng of people flanking the spectacle at 3 p.m.—except that they were all in his way. He was angry, sure. Why should he have to pay hundreds of dollars to get his F-150 out of impound? There was no place to park except the white zone. What was he supposed to do? Skip the custody hearing so he couldn’t see his son anymore? No way. So he was gone at most half an hour. And the truck got towed. That frosted him, sure.

But he didn’t plan to use the assault rifle. It just felt good tucked inside his coat. Then one of those TV reporters knocked into him, pushed him aside and said, “Get out of the way, man!” So he pulled out the rifle, shot that reporter right in the head. People started screaming and he kept shooting and shooting, watching the blood spurt, the bodies fall. He got that man and woman, too, the ones rushing to that fancy car. Then he saw the girl in the back seat watching them fall. She had big brown eyes just like his son. He aimed the rifle at the police cars coverged on the scene, but he didn’t shoot. He let the officers  shoot him right through the heart.

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All of the episodes in this series in the order in which they were posted follow:

Back pocket wishes

Cascading to the sea

Right through the heart

Away today?

A dime a dozen

She doesn’t know them

On the seat

A pillar of the community

He needs a friend

Double rainbow

The one he always wants to hear

Give it some time

It gives my life meaning

Smiles

Extenuating circumstances

 The four of us

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Back pocket wishes

I edited this story a bit a few weeks after I posted it, so some of the comments people made in response to the earlier version might not make sense to someone reading the story and comments for the first time.

Back Pocket Wishes
By Laura McHale Holland

Sparks fly from his eyes when he passes the herd of microphone waving media. “It’s a family matter,” he growls, brushing a matinee idol curl from his forehead. His sandpaper grip wrenches his wife’s rigid wrist. Shoulders hunched, she glares at her toenails, manicured to perfection that morning.

From the chauffeured Mercedes idling at the curb, the child—conceived atop a pile of coats in a back bedroom the night her parents met—watches them approach. Her tiny fingers fumble for back pocket wishes, the simple things she yearns for but dares not show, as dread, seeping from the floor boards, soaks her mary jane shoes.

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All of the episodes in this series in the order in which they were posted follow:

Back pocket wishes

Cascading to the sea

Right through the heart

Away today?

A dime a dozen

She doesn’t know them

On the seat

A pillar of the community

He needs a friend

Double rainbow

The one he always wants to hear

Give it some time

It gives my life meaning

Smiles

Extenuating circumstances

 The four of us

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Before the plunge

This one’s only 47 words. Flash indeed.

Before the Plunge
By Laura McHale Holland

Joel was average in every way; that’s why, Martha said, she was moving on. When he thrust his knife into her her heart, Martha was proven wrong. But she never knew. On death row years later, Joel still regrets he didn’t wake her up before the plunge.

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She’ll be ready

She’ll Be Ready
By Laura McHale Holland

She ran down the sidewalk in the dark, block after block until she reached the end, the dead end, fenced off. She squinted at the wide-open field beyond, the goats under an oak, an old tractor rusted. Heart pounding, she climbed up the fence, jumped over the barbed wire top and ran behind the tractor.

Minutes later, he arrived, rifle in hand. She trembled as shots ricocheted off her metal refuge. She trembled as lights turned on all along the street, as a distant police siren grew louder, closer. She trembled when he was cuffed and pushed, swearing, into the police van. And she trembled as she packed a bag and called a cab for the airport.

Thousands of miles away now, she pumps iron, runs marathons, teaches karate. If he finds her, she’ll be ready.

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She couldn’t wait

She Couldn’t Wait
By Laura McHale Holland

He lost his soul on the Sundial Bridge up in Redding. That girl Ava did it. She sashayed across, her camisole straps sliding down her bare shoulders, her Coach sunglasses shielding her gaze from sunlight reflecting off the Sacramento River.

She smiled. He smiled back. She paused, said hi. He stopped too, said hello and imagined sitting across from her at a dimly lit bistro, their knees touching beneath a wobbly table. She slid her sunglasses to the top of her head. He looked into her eyes and saw ebony ovals, no irises, pupils or whites. Just solid black nothingness sucking him into a deep, endless, terrifying space.

He fell, screaming to the bridge’s glass and granite deck. She bent over, laughed into his ear, stole his wallet and called 911. She told the dispatcher her name was Ava; she was just another tourist enjoying the bridge when a young man suddenly collapsed in mid span. He must have hit his head; he wasn’t moving. She said she couldn’t wait for the EMTs; she had to catch the charter to Yosemite Falls.

Late that night at the hospital, he rose from his bed and walked to the bathroom. He turned on the light, looked into the mirror and saw his eyes were crow-black just like hers. He slipped out of the hospital unnoticed, swiping a pair of Prada sunglasses from an unattended nurse’s station along the way. Now he traverses the country, searching for Ava, one landmark to the next.

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Pretty soon I’ll have to tell him

Our maple tree came to rest on our roof a few days ago, and I still wrote a story this week. Here it is:

Pretty Soon I’ll Have to Tell Him
By Laura McHale Holland

My Bernie, he’s a real good man, you know, except sometimes he gets these harebrained ideas, and I try my darnedest to put the kibosh on them—ideas like befriending Jake the Wolf-man. We always called him that around town ‘cause he kept wolves, well, not really wolves, but wolf dogs, you know, half wolf, half dog, which some folks say are worse even than keeping real bona fide wolves because these here wolf dogs have instincts pointing them every which way, so they’re real unstable.

So I didn’t think too much of Jake the Wolf-man and I didn’t take to the idea of Bernie and him bein’ friends, but Bernie, being Bernie, the most curious guy in all of North Bend, and the friendliest, too—just about anybody would tell you what a standup guy my Bernie is—so Bernie, he’s a mail carrier and he got this route a few years ago that included Jake the Wolf-man’s spread, and he started by sayin’ hi, and then it was a few friendly remarks, you know, how’s the wife doin’ or those sure are pretty critters you have there, and one thing led to another and pretty soon Bernie was saving Jake the Wolf-man’s mail ‘til last stop and then sittin’ on his front porch to shoot the breeze for an hour or so before comin’ home on many an afternoon, which I didn’t appreciate, and I told Bernie so.

But, you know,  I couldn’t stick to being mad about it or anything else when it comes to my Bernie because he has this sheepish sort of grin that gets to me, so he can get away with anything—but don’t you ever go tell him that or nothin’ otherwise my goose is gonna be cooked—so, see, I guess I started to look forward to his little stories about what’s new with Jake the Wolf-man and all because, let’s face it, things are pretty boring here in North Bend, lots of us sittin’ around with nothin’ to do and nothin’ but dreams left of jobs that went south of the border or to Asia or wherever.

So I started lookin’ forward to hearing about Jake the Wolf-man and that pack of his. He had about a dozen of ‘em in a big enclosure, must have been about four acres. And he went in there and ran around with them and stuff, said the wolf dogs were his brothers. He tried to get Bernie to go in with him, and Bernie swears he never did because he thought a dozen of them crazy wolf dogs was just too much for him. But my Bernie, he said, one-on-one them wolf dogs were as sweet as can be and a little mysterious, too, like something out of a myth. That’s just what he said, a myth. And I told him right then and there that was a big bunch of hooey. Oh, but Bernie, he looked so stricken by my words. I wished I could take ‘em back. It broke my heart seeing how I’d hurt him. I felt bad about that for days.

Then Bernie came home early one day real down in the dumps, you know, long faced and just draggin’ himself in. He flopped on his recliner and sat starin’ at the TV, which wasn’t even on, mind you. And I said Bernie, what in the dickens has gotten into you and he grunted a little but couldn’t get a word out for a long time, but I kept askin’ and finally pulled it out of him that those wolf dogs up and killed Jake the Wolf-man.

Bernie had a vet bill and a Rolling Stone magazine to deliver to his buddy that day. But when he pulled up in the mail van, an ambulance was driving away, and police and animal control officers and even North Bend’s fire captain Big Bill were swarming around the property. Dead wolf dogs were stacked in a pile just inside the enclosure, and Bernie saw what he thought was a pool of blood right near the gate. There were a lot of tears that night, I’ll tell you, between the two of us. Bernie was sobbing, and I was cryin’ for Bernie losin’ a friend like that, and then I was cryin’ for Jake the Wolf-man, too, even though I didn’t even know him. And I was cryin’ about maybe having to let go of a fantasy Bernie had, and I was starting to have, too, about things being different than they really are between people and wild animals.

We were still down in the dumps the next morning when Bernie went off to work, and I expected we’d be pretty glum at the end of the day, too. But when he came home, he walked in with that sheepish grin of his and a big bulge in his jacket. I asked, Bernie, what’s in there, but he kept mum. He sat in his chair, unzipped the jacket, and there were two little pups, couldn’t have been more than eight weeks old. He’d gone to Jake the Wolf-man’s house, sat on the front porch to just think about his pal, and he heard squealing coming from the direction of the enclosure. He went inside and found the pups huddled way back in a corner behind a pile of bricks.

Bernie asked me if he could keep them, and he looked so hopeful, and the pups looked so cute just snuggled there in the chair, I melted and said okay. I said it real cool like so as not to let on how adorable I though the little critters were. And I said they have to live out back in the yard; there’s no way they’re gonna set foot in the house. And, Bernie, being Bernie, said he was okay with that.

When we built the dog house for them out back we told the neighbors they’re some kind of sled-dog mutts, so everything is cool with them. And each day Bernie feeds the pups their breakfast kibble before he goes off to work, and I wave goodbye from the front door. Then I bring the babies inside. I can’t explain it. I never expected to turn into a wolf-person. No way. But when I look into their blue eyes, I feel like they understand me in ways not even Bernie does. My Bernie. Pretty soon I’ll have to tell him about the pups and me; they’re growing bigger by the minute.

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My tormentors

My Tormentors
By Laura McHale Holland

They lurk in the spaces between words, in the pause before the stoplight changes from yellow to red. Always the same burgundy hue, they shift shapes, stand on the roof, slip into the junk drawer, crawl across palm fronds lining the sidewalk. They fly overhead today, pterodactylesque, their huge wings beating in counterpoint to my heart. I run, run, but they gain, sweep down, scratch my shoulders, arms, face. My toes turn into claws, my arms into baleful burgundy wings. Up, up, I go now chasing to the clouds my tormentors.

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Waiting

Here’s the next story, based loosely on some news I heard on the radio last week.

Waiting
By Laura McHale Holland

Myrna sits on the steps of an abandoned library building across from the police station. Crime fighters amble in and out, their badges, guns and clubs properly affixed. They laugh, slap each other on the back, sip coffee. Myrna stares. They do not look her way.

If she weren’t a mother, she’d go on a hunger strike, but she can’t put her children at risk; she’s the only parent they have now. So she sits on the cracked stairs and waits while her twins tumble and climb the morning away in preschool.

It’s been six weeks since her husband, Edward Sanchez, was killed at home, right at their front door. She and the twins were at the park just minutes away when it happened. She remembers the glow of the sun on her children’s skin as she pushed them in the swings, the perfection of their little feet pattering through the sand after they jumped out and wiggled to the wading pool. Then later, all the blood just inside their front door and Edward in an ambulance unconscious, and the muscled arms that held her back, the voices that said she could not ride with him. And her babies crying.

This time last year Edward was in Iraq. Only two months ago he’d passed the exam to become a fire fighter, passed with flying colors, a battalion chief who lived nearby had told him.

The officers who shot him swear Edward brandished a gun when he opened the door. They say he cocked it and refused to put it down. Myrna knows he had no gun. Edward was through with war, through with violence of any kind.

Meanwhile, another Edward Sanchez counts his money in a different part of town. He runs a gang with crews selling drugs in all the nearby communities. A lawyer who might take up Myrna’s cause says the officers paid a visit on the wrong Edward Sanchez. The police aren’t talking. They haven’t even released Edward’s body.

So Myrna waits on the steps, because right now, that’s all she can do.

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One of these days, old gun

Here’s the third insallments of my weekly flash fiction project.

One of these days, old gun

By Laura McHale Holland

Katy slows her pace, despite the biting cold. Miranda and Carly are only half a block ahead. The last thing she wants is to be only a few steps behind the queen bees of seventh grade so they can turn, sneer and her and say something snide like they always do, that is if they even notice her at all.

Miranda and Carly stop at the corner, their silky light brown hair flowing down their backs. Katy wonders why they’ve come to a halt, especially since the thermometer has dropped 10 degrees in the last half hour. They’re supposed to turn right and walk to the old part of town where the trees are tall and and the homes spacious. Then Katy can turn to the left and disappear into her neighborhood of tract homes slapped together a few decades ago, two floor plans alternating block after block.

Katy thinks of crossing the street, but dismisses that idea. Since they’re all on the left side of the road, she has no reason to cross to the right since her home is toward the left. So she plods along, hoping Miranda and Carly will have  turned right before she reaches the corner.  No such luck. They swivel around when Katy is just a couple of feet behind them.

“Gee, Katy, where ya goin’ in such a hurry?” Carly taunts.

“Home,” Katy says, head down.

Miranda shoves Katy backward. “You don’t have a home, freak,” she says. “You’ve got a hovel.”

Carly rushes behind to rip Kathy’s backpack off. Miranda keeps shoving Katy, throwing her off balance. “Whee, lookee,” Carly says as she unzips the backpack and throws Katy’s papers and books up into the air. They land in the yard nearby. The books sink into the snow and the papers scatter in the wind. Then Carly throws the empty backpack down and joins Miranda in shoving Katy down onto the sidewalk.

Miranda and Carly run off, laughing. “Don’t ever follow us again, stalker,” Carly calls back to Katy, who is pulling herself up. “Yeah, stay out of our way,” Miranda says. And they run off.

Katy brushes off her coat, picks up her belongings and trudges home. She unlocks the door, sets her wet books and papers out on the table to dry and walks into her mother’s bedroom. At the dresser, she opens the second drawer, moves aside some underwear and picks up a handgun. It’s not loaded. She hasn’t been able to figure out where her mom hides the bullets.

She caresses the gun barrel, rubs it against her cheek. “One of these day, old gun. One of these days we’ll get even,” she whispers. Then she puts the gun back, tucks the underwear back over it, goes into the kitchen and pours herself a glass of chocolate milk.

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