Who knows where?

Here’s another Belinda Blue Brown draft. It’s the third in a series I’ve begun in the voice of a character who came to life in “Someday I’ll Have to Tell Him,” one of the stories in my flash fiction collection, The Ice Cream Vendor’s Song. The second in the series is in the post directly preceding this one. I am not attempting to make each of these episodes stand alone and will welcome your comments.

Who Knows Where?

The rain is thrashing my roof somethin’ fierce. You’d think the roof and rain were lovers and the rain just caught the roof kissing a wayward snowdrift. Gee willikers, I’m afraid all the commotion will wake up my little niece Pansy, who’s napping upstairs.

6824046205_b7ec521bdd_nIt sure is some crazy weather we’ve been havin’ here in North Bend lately; well, not just lately; it’s been all cuckoo for years now, which I hate to admit, because if I think about how long it’s been since the weather’s been normal, maybe I’ll accept that, say, three feet of snow in the driveway in April and weeks of 50 degree weather in December are here to stay, but be that as it may, this year has been a real humdinger so far, weatherwise.

Just two weeks ago it was snowin’, and I mean it wasn’t just snowin’; it was a blinding blizzard that came down from somewhere in Canada and moved eastward across the entire Midwest, coverin’ everything in its path, all the way out into the Atlantic. Gadzooks! It started the last day of March (ha, ha, ha to March comin’ in like a lion and goin’ out like a lamb, like they told us in grammar school) and it lasted for more than a week. Down, down, down it went without much letup, and little Pansy, oh, she was so upset because the day before the storm hit, a few crocus had popped through the hard, hard ground and, it’s such a wonder to see those lovely yellow petals pokin’ up after months of only shades of white and gray.

Then the snow came and covered up them flowers, and Pansy was completely distraught. We spent a whole afternoon shovelin’ the snow off; well, not exactly shovelin’. We had trowels, and of course the whole project was futile because as soon as we uncovered a crocus, the snow would cover it up again. This brought to mind the myth of Sysiphus, which I first heard when I was in high school English class, not that I was payin’ much attention back then to what went on in class, although I wish now that I had, but I did manage to get the gist of Sysiphus and his plight of rollin’ that boulder up a mountain only to have it roll down again and again, the same thing over and over ’til the end of time. Now, that story really depressed me, but for some reason I mentioned it to Pansy, while we were getting’ our mittens all soaked through to our frigid fingers from our efforts to rescue the crocus. Then, of course, she asked who’s Sysiphus? So I had to tell her the story, and she said flat out that she just didn’t believe it. She thinks Sysiphus probably escaped or got pardoned or something because nothin’ is forever.

Can you believe that? My little niece, just four years old, mind you, said something as profound as that. She comes to visit three afternoons a week because her moma, my brother’s wife, Glory (short for Gloria Jean), up and flew the coup when Pansy was just a little baby of five months. Glory wrote a note. Well, she didn’t write it; she typed it on her computer, and she said she had dark, dark thoughts, and liked to want to hurt Pansy when she cried—and, I do remember, little Pansy was a colicky baby. So Glory said in that note that she was afraid after being up all night, night after night, with my dear brother just sleepin’ away right through the chaos (she didn’t write that part, but I know it’s true) she said she had to split before she did something terrible to the baby.

She didn’t leave a phone number or address where we could reach her or anything, and she’s never sent one note or email. Nothin’. Not even her mama in nearby Cornville has heard from her, and she was as close to her mama as bubbles are to soap, yes indeed, but not even her mama has a clue where she might be, which some of us think is mighty suspicious, but Officer Renell, who is just plain old Bobby Renell, the guy who once shit his pants when we were in the third grade, isn’t askin’ for anybody’s opinion. He says he just wants the facts, thank you very much. But all we know for sure is that we don’t know where she is. She did say in the note that she might head south so the warmth could bake the bad right out of her.

6737125913_9883d2458b_nI think she must have had postpartum depression or maybe even that postpartum psychosis like some women, like that Andrea Yates, who end up drownin’ their kids in bathtubs. I wonder why our Glory didn’t go to a doctor like Brooke Shields did when she didn’t exactly adore her baby. Nowadays, a lot of folks in town talk bad about Glory, even my own brother, her supposedly ’til-death-do-us-part husband, and our mom, but I kind of think it was a brave thing to do, to leave for the sake of your child, if you think that’s the only way to protect the new life you’re holdin’ in your arms. And you know what else? I think, wherever Glory is, she’s grieving every single day.

Now Pansy couldn’t possibly remember her mom since Glory left when Pansy was so new to the world, so I don’t think she feels left out. We all love her like the dickens, so it’s like she has all these new moms (that would be me, my sister Corinna Mae and my cousin Lilac) who love her so much that if she were Humpty Dumpty and had a great fall, we’d find a way to put her back together again. But maybe somewhere deep inside Pansy does miss her mom, and that’s what makes her so wise to say stuff about Sysiphus like that, or maybe she’d say that stuff even if Glory was here right now bakin’ oatmeal raisin cookies for a snack after Pansy’s nap.

I don’t know, but I do know little Pansy will wake up soon, and she’ll want to go out and play in this downpour. We’ll put on our rain slickers and boots and find some puddles to splash in because, well now, she’s not going to want to do this puddle stompin’ forever. In a few short years she’ll be paintin’ her nails and talkin’ to boys, and I won’t exactly be able to splash in puddles by myself, even though I would enjoy it. People would talk if they saw me doin’ something out in public like that, and I won’t make a fool of myself for my dear husband Bernie’s sake. So little Pansy and I will go enjoy the downpour today, because god knows, with the weather so harsh and unpredictable like it’s been, pretty soon it could be bone dry here, and the puddles and mud out there could seem as distant as our great great grandparents, whose names most of us probably don’t even know. I kid you not. There area no more summer showers these days, haven’t been any for the last several years. They’re gone, just like Glory. Gone, and who knows where?

Crocus photo by Rose Robinson; puddle photo by gachiman; both used under Creative Commons license.

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Never Forever Lost

Never Forever Lost
By Laura McHale Holland

It’s in her closet behind the blue Midnight in Paris relic, maybe, or in the sand beneath barefoot dancers on the beach. But then, it could be behind her ear, waiting for the right magician to come along.

Her heart beats, her sweat flows, her lips tremble, her eyes close. Gone. Not forever, though, never forever lost joy.

 

* * *

 

I didn’t think I’d post a story this week, but I got inspired by Lillie McFerrin’s Five Sentence Fiction challenge. I used the picture she posted there, too. I will welcome your comments on this.

And I’m still looking forward to stories that take off from the sentence I posted yesterday, which was: She knew right away the stamps were no good – no good for mailing anyway.

Two people have posted terrific stories already. I hope you’ll take a look and contribute one of your own.

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In the pink

This is two versions of a reworked scene from a sequel to Reversible Skirt I was working on back in 2009. That draft was in second person and wasn’t good enough.

I rewrote the scene in first person, eliminated most of the back story, and dispensed with some details that I liked but weren’t really essential. It’s about 1/3 the size of the previous draft. The voice of the new first-person draft is, however, more of a narrator’s voice. It approximates neither my voice as a teen nor my current adult voice. So I returned to second person to rework the scene again. I’m providing both drafts below—first person, followed by second person.

The scene is intense. It takes place my freshman year in high school.What was your life like when you were that age? Was anything going on in your home that you’d never tell anyone at school?

In the Pink
By Laura McHale Holland

She calls out. I run over. She is up against the pink sink, robe open, bare breasts hanging. I’ve never seen her nipples before, but it’s her radioactive brown eyes that really jolt me. I edge toward the dining room table where my schoolbooks wait—a tower of formulas, timelines, verb conjugations and love notes undelivered. Growls from the basement heater rumble up the stairs.

“Don’t back away from me,” she snaps. She juts out her chin and raises her eyes. I’m taller than her 4’11″ by a good four inches, and growing—a reminder that I am not her flesh and blood, that I am one of three girls who came with the widower she married: my father, now dead.

I step forward and see the toothpaste splattered on the mirror, the pink rose wallpaper, the pink and beige tiles, her pink-painted toenails, chipping at the edges. “Do you want me to help you with something before I go?” I ask.

She pulls down her underpants and rips off a thick gauze bandage to expose a wound so raw it appears to have a pulse all its own. I focus on the wrinkles between her eyebrows. “Take a look. Take a good look, Missy,” she spews. “This is pain. This is real pain, and you don’t know what that is. But mark my words, oh, mark my words. You don’t know what pain is, but your time is coming. Just you wait. Your time is coming. You’ll see.”

She reminds me of a jack-in-the box sprung loose, but I can’t stuff her back inside, snap the cover closed tight and go back to fastening the stupid clear plastic boots I had just slipped over my too-tight loafers before she called me to her powder room lair.

“Look!” she commands. She points to the incision, belly button to pubic hair, thick and oozing and pink and punctuated with black stitches top to bottom. It’s a railroad track, a railroad track leading somewhere I never want to go. Female troubles. Hysterectomy. Screaming now, she raises her raw-knuckled fist and shakes her arm, a metronome set faster than I could ever play.

“Look! Look, you ingrate! You dummy! Look!” A bitter truth sinks into my bones: she despises me; I will not come next time she calls. Still erupting, she looks like she’s about to pop straight into the air; I want to see her head crack against the ceiling.

I spin around, grab my books and rush outside. Coat unbuttoned, I barely notice the bracing cold. I kick off my five-and-dime substitutes for winter boots and stuff them in my coat pockets, one bulging on each side. I suck in the biting air, roll up the waistband of my two-sizes-too-big skirt and trudge forward, bent on getting a smile on my face before my first-period class.

The shortened scene in second person:

She calls out; you run over. She is up against the pink sink, robe open, bare breasts hanging. You’ve never seen her nipples before, but it’s her radioactive brown eyes that really give a jolt. You edge toward the dining room table where your schoolbooks wait—a tower of formulas, timelines, verb conjugations and love notes undelivered. Growls from the basement heater rumble up the stairs.

“Don’t back away from me,” she snaps. She juts out her chin and raises her eyes. You’re taller than her 4’11″ by a good four inches, and growing—a reminder that you are not her flesh and blood, that you are one of three girls who came with the widower she married: your father, now dead.

You step forward and see the toothpaste splattered on the mirror, the pink rose wallpaper, the pink and beige tiles, her pink-painted toenails, chipping at the edges. “Do you want me to help you with something before I go?” you ask.

She pulls down her underpants and rips off a thick gauze bandage to expose a wound so raw it appears to have a pulse all its own. You focus on the wrinkles between her eyebrows. “Take a look. Take a good look, Missy,” she spews. “This is pain. This is real pain, and you don’t know what that is. But mark my words, oh, mark my words. You don’t know what pain is, but your time is coming. Just you wait. Your time is coming. You’ll see.”

She reminds you of a jack-in-the box sprung loose, but you can’t stuff her back inside, snap the cover closed tight and go back to fastening the stupid clear plastic boots you had just slipped over your too-tight loafers before she called you to her powder room lair.

“Look!” she commands. She points to the incision, belly button to pubic hair, thick and oozing and pink and punctuated with black stitches top to bottom. It’s a railroad track, a railroad track leading somewhere you never want to go. Female troubles. Hysterectomy. Screaming now, she raises her raw-knuckled fist and shakes her arm, a metronome set faster than you could ever play.

“Look! Look, you ingrate! You dummy! Look!” A bitter truth sinks into your bones: she despises you, and you will not come next time she calls. Still erupting, she looks like she’s about to pop straight into the air; you want to see her head crack against the ceiling.

You spin around, grab your books and rush outside. Coat unbuttoned, you barely notice the bracing cold. You kick off your five-and-dime substitutes for winter boots and stuff them in your coat pockets, one bulging on each side. You suck in the biting air, roll up the waistband of your two-sizes-too-big skirt and trudge forward, bent on getting a smile on your face before your first-period class.

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Undercover

I wrote a first draft of this based on a promt at WriteToDone.com. It’s posted, along with many other stories based on the prompt, in the comment section there. Then I did a couple more rounds of editing before posting it here.

Undercover
By Laura McHale Holland 

I’ve seen plenty in my thirty years here. There was the time I arrived to open the bank, and the display windows were smashed. Glass shards littered the sidewalk; glass was on the floor inside, too. The work of young anarchists prowling the night before.

Another time, it wasn’t glass on the floor; it was everyone in the bank. Except for the tellers. They were pulling money from their cash drawers with trembling hands. But then a customer realized the gun the robber brandished was only a toy. He wrestled the culprit to the ground. I pressed the alarm. Soon enough Officer Kaufman had the man in a paddy wagon.

Photo by H.Adam

Yes, I’ve seen plenty over the years. But today takes the cake. I can’t work. Clothes racks and shelves clutter the waiting area. And a checkout station is right where my desk should be. A girl behind the counter is waving at me. Our tellers would never have tattoos all over their arms like she does.

 Hi, Mr. Walker, are you lost again?” she asks.

 I’m not lost. I work here.” 

 Of course you do. Why don’t you have a seat by the window? I’ll sort it all out, okay?” She picks up her cell phone. I stand my ground.

 A few minutes later, Officer Kaufman walks in, smiles at me. “Francis Walker. You’re just the man I’m looking for.”

 Hi there Officer. Do you need another loan?”

 No, Francis. I’ve come to take you home.”

 Home? Is something wrong with Nancy?”

 Nancy is in heaven now, Francis. You and me, we’re both widowers long retired. We live at Happy Hills, and I’ve come to take you home.”

 I don’t believe a word he’s said, but he is an officer of the law. I’d better go. This must be some undercover operation; he’ll fill me in once we get outside.

 

Click to visit H.Adam’s flickr photostream.

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At least

At Least
By Laura McHale Holland

I never meant to leave him like that. I was driving to the mall to exchange some shoes that were too tight, and I just forgot he was there. Then I got sidetracked by all those end-of-summer sales. And then I saw my friend Rosie in the Starbucks line and I stopped to chat. I finally came out loaded up with goodies galore—flip flops, a new swimsuit, v-neck T’s, even some wading pool toys. It wasn’t until I opened the Camry’s door that I remembered he was there, because I saw him. Dead as a doornail in his car seat. Oh, what a shock. I mean, I killed my daughter’s baby.

At first I could barely see or breathe; the gravity of the situation hit me like a head-on collision. I sat in the driver’s seat, sun beating through the windshield, and leaned over the steering wheel. I sat there sweating like a pig and wishing I could just erase the last hour. I couldn’t move. I couldn’t even make a sound. But then I must have gone on automatic pilot or something because all of a sudden I was on the freeway, heading home.

Once I pulled into my driveway, I lifted my grandson out of the car seat and talked to him just like I would have if we were coming home after an ordinary afternoon of errands. Then I put him down in his crib and sang him a lullabye that would always put him right to sleep with the sweetest smile on his face. I tucked his favoite stuffed bunny up by his shoulder just where he liked it, too.

When my daughter comes to pick him up, we’ll walk into the bedroom and find him cold, unresponsive. We’ll both be completely done in. What will I do when she cries out? When she picks up her baby and leans against me, sobbing? Should I say it might be SIDS? I can’t tell her I forgot her baby was in my car. If I do that, then she won’t have her mother’s shoulder to lean on as she goes through this. I have to give her that, at least.

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A dime a dozen

Another episode in my series of connected flash fiction.

A Dime a Dozen
By Laura McHale Holland

Two uniformed officers break down the front door of a ramshackle home in an otherwise nondescript middle class neighborhood. The suspect, a spindly, gap-toothed man in ripped jeans and white T, flees out a back window. He is apprehended in the weeds by another officer who cuffs him, escorts him to a police van and shoves him inside.

In the basement, the police find the meth lab they’d suspected was there. Behind one locked door they also find a cache of assault rifles and ammunition. They expect to find the same behind another door, but when they clip off the padlock and pry open the door, they enter a windowless room with padded walls. A young woman cowers on a cot in a corner. She holds a small yellow blanket in one hand and a pink baby rattle in the other. She faints at the sight of them.

One officer rushes to her, lifts her up and carries her out in his arms. “You’re okay now. Whatever you’ve been through, it’s over now,” he says.

She opens her eyes, searches his face and asks, “Have you seen my baby, my baby girl, Chloe?” She passes out again.

Later that day, a few blocks from the meth lab, Janet, a middle-aged woman with worry lines creasing her face, watches the evening news. She observes an officer carrying what looks like a bone-thin young woman to a police car. Janet can’t see the face, but she notices the yellow blanket and pink rattle in the woman’s hands.

“Jasper, Japser, come quick!” she calls. “I just saw Carly on TV. They were carrying her out of that house that got raided today. Our Carly, Jasper. I saw Chloe’s blanket and rattle in her hands.”

Jasper sprints into the room and wraps his wife in his arms. It’s been more than three years since Carly, then only seventeen, nestled her baby, Chloe, into the carriage Janet and Jasper had just purchased for her. Carly planned to take five-day-old Chloe to visit her best friend one block away. But Carly and Chloe never made it there.

Initially, investigators on the case thought Carly had hitchhiked to visit her former boyfriend, the baby’s father, who was away a college. But they found him studying for exams in his dorm room. He hadn’t spoken with Carly since they’d broken up five months before. He said he’d relinquished his parental rights and didn’t want to have anything to do with Carly or the baby.

“Now, honey,” Jasper says. “Don’t get your hopes up too much. Those baby blankets and rattles are a dime a dozen.”

“We have to go see, Jasper. We have to go see.” She grabs her purse, picks up a framed picture of Carly and Chloe from a table by the door and runs outside. Jasper follows.

###

All of the episodes in this series in the order in which they were posted follow:

Back pocket wishes

Cascading to the sea

Right through the heart

Away today?

A dime a dozen

She doesn’t know them

On the seat

A pillar of the community

He needs a friend

Double rainbow

The one he always wants to hear

Give it some time

It gives my life meaning

Smiles

Extenuating circumstances

 The four of us

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The ice cream vendor’s song

The Ice Cream Vendor’s Song
By Laura McHale Holland

The day his father drove away, Danube watched the Jeep sweep the house, yard and block of laughter as it roared out of the parking place, down the street and around the corner. Danube stayed on the porch as birds burped up grasshoppers in the branches above. He remained as neighborhood friends chased the ice cream vendor’s melody. He stayed on as the sun flung purples and oranges and reds across a gray-blue sky and as crickets sang into the void where his hope had been.

The first few nights after his father drove away, Danube fell asleep outside, and his mom carried him to bed. Then she insisted he come inside for supper, then earlier and earlier, for he had homework to do and chores and a future to build from marathons, tests and kisses year by year.

Now, a father himself, Danube drives a Jeep; he doesn’t know why. And when he visits his mom, he sits on the front porch in the late afternoons, his arm around his son’s shoulders, and he feels melancholy squeeze his heart momentarily, until he takes his child’s hand and runs block to block, chasing the ice cream vendor’s song.

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Since the accident

Since the Accident
By Laura McHale Holland

Since the accident, the sun shines only at half mast and wrens roost in other yards. All day, she looks out the window as pine needles fall to the ground. At night, he drinks alone in the den while she knits in the bedroom.

Since the accident, soot falls from the clouds and rats nibble on the insulation in their attic. Over breakfast, their tongues bleach memories of that day from bright to blurred to translucent. No gouge remains in the trunk of an old oak tree; their Camry is not scorched; a blue tricycle is no longer smashed at the side of the road; a child is not struggling for each breath in a hospital bed.

He opens the front door and steps onto a porch stabbed with icicles. He walks down the empty driveway and into the street. She follows. Hand in hand they amble down blocks they used to know but no longer recognize. Horns blare for them to get out of the road. They pause at a curb, each one wanting to go home, neither one knowing the way.

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Dried fig

Here’s the seventh effort in my 2011 weekly flash fiction project:

Dried fig

By Laura McHale Holland

I stand still in the sweet-potato sand. It’s finely ridged like a miniature zen garden raked for hours to crested perfection. I can feel Mom right behind me, despairing. I’d like to tell her to stay back, to step not a hair closer, but I can’t.

I didn’t expect to end up here, part of this eerie landscape, a world apart from the nearest heartbeat. I was just going to chill at Rod’s house for a bit after my dad  burst into the house and barreled down the hall like an angry rhinoceros and knocked straight into me. I wondered if the worst was over as I crumpled to the floor. So I’d shoplifted a pair of high tops from Target—or tried to anyway. Doesn’t every kid do that at one time or another?

“Get up, Joey, you sorry excuse for a son,” Dad growled, fists clenched.

I could barely breathe. I couldn’t get up.

He yanked my T-shirt. “I said, get up, you ungrateful sonofa—”

Mom ran up and pulled him away. “Brian, stop. You’re like a, a ticking pizza. Didn’t you ever, um, stick your foot in the compost when you were young?”

“I never embarrassed my family like this. This is a small town, Gracie. Everyone will know.” He pushed her away, but not all that hard. He was calming down. “But what do you know about being embarrassed. You can’t even talk right. Ticking pizza.” He rolled his eyes.

“He’s a good bubble overall, Brian, like a contented little piggie, you know? Why don’t you go get changed. Foodies will be ready in an arc and we can all talk.

“You’re seeing him through cracked, rose-colored glasses, as always.”

“I prefer my roses in glasses, dear,” Mom said.

Dad shook his head. “I don’t know what’s going to come of us. I really don’t.” He turned, stepped into the master bedroom and closed the door.

I sat up, took a deep breath. Mom knelt down and stroked my buzz cut. “It’s okay. It’ll be okay. You know you’ll always be the dried fig of his eye.”

That was it. I’d had enough of my dad’s jabs and the weird comforts of my psycho mom. I had to get out for a while. I got up, yanked the keys to the Camry from the hook at the door and took off. I stopped at Rod’s, but nobody was there, so I got back in the car and started driving. Before I knew it I was on 101 at the 92 exit. I headed west into the fog and followed the road to Aunt Betty’s even though she doesn’t live in the area anymore. I rode into this pencil-tip town. One of those you’ll miss it if you blink places where we always used to stop. I pulled over and parked. It had been years since we’d been there. In the general store, I got a chocolate chip ice cream cone. I strolled along the sidewalk and saw this little art museum that Mom and I always visited while Dad read the newspaper in the car.
The museum was open. And it was just like I remembered it. Even the potbellied guard was the same, squinting at me, clearing his throat and telling me to keep my hands off the paintings. I stood in front of my favorite one and lost track of time until the guard tapped me on the shoulder and told me it was closing time. I didn’t want to leave, so I spent the night in the car, and as soon as the doors opened the next day, I went inside. The painting that lured me in is a desert scene, but the colors are brighter than a real desert. The lizard is a pulsating kelly green, the cactus a neon turquoise. And the sky is swept with vibrant colors. I wanted to touch the painting, but the old guard was keeping his eyes on me from his corner stool. But then a phone rang from another room, and he dashed off.

I knew the orange sand was just oil or acrylic on canvas, but I wanted to touch it anyway. So I reached out, and it wasn’t hard like I expected. It was smooth and warm, and I filled up with this kind of light, the way people talk about spiritual experiences I’ve never been able to relate to, and I gasped, and all of a sudden I was here inside this colorful desolation.

I can’t move. I’m just here looking at a broken down green truck next to the cactus, purple mountains in the distance, the marvelously exploding sunset sky. My mother is leaning close behind me.

“Joey, Joey is that you?”she says.

I pray that she doesn’t reach out her hand. Heavy footsteps approach. “Come on, Gracie. We’ve got to go now. You promised you’d just be a minute,” my dad says.

“Look, Brian. That’s Joey in the painting. He’s wearing the T-shirt and jeans he had on the day he left. He’s discovered the sands of rhyme.”

“Stop spouting that gibberish and come with me.”

She sighs.

“Come along, Gracie,” my dad says. There’s a pause. Then footsteps. Then quiet.

She’ll be back. And sooner or later she’ll touch my arm or leg, and she’ll be drawn in too. I’ll spend eternity listening to her, and that might be worse than standing here alone.

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