This is two versions of a reworked scene from a sequel to Reversible Skirt I was working on back in 2009. That draft was in second person and wasn’t good enough.
I rewrote the scene in first person, eliminated most of the back story, and dispensed with some details that I liked but weren’t really essential. It’s about 1/3 the size of the previous draft. The voice of the new first-person draft is, however, more of a narrator’s voice. It approximates neither my voice as a teen nor my current adult voice. So I returned to second person to rework the scene again. I’m providing both drafts below—first person, followed by second person.
The scene is intense. It takes place my freshman year in high school.What was your life like when you were that age? Was anything going on in your home that you’d never tell anyone at school?
In the Pink
By Laura McHale Holland
She calls out. I run over. She is up against the pink sink, robe open, bare breasts hanging. I’ve never seen her nipples before, but it’s her radioactive brown eyes that really jolt me. I edge toward the dining room table where my schoolbooks wait—a tower of formulas, timelines, verb conjugations and love notes undelivered. Growls from the basement heater rumble up the stairs.
“Don’t back away from me,” she snaps. She juts out her chin and raises her eyes. I’m taller than her 4’11″ by a good four inches, and growing—a reminder that I am not her flesh and blood, that I am one of three girls who came with the widower she married: my father, now dead.
I step forward and see the toothpaste splattered on the mirror, the pink rose wallpaper, the pink and beige tiles, her pink-painted toenails, chipping at the edges. “Do you want me to help you with something before I go?” I ask.
She pulls down her underpants and rips off a thick gauze bandage to expose a wound so raw it appears to have a pulse all its own. I focus on the wrinkles between her eyebrows. “Take a look. Take a good look, Missy,” she spews. “This is pain. This is real pain, and you don’t know what that is. But mark my words, oh, mark my words. You don’t know what pain is, but your time is coming. Just you wait. Your time is coming. You’ll see.”
She reminds me of a jack-in-the box sprung loose, but I can’t stuff her back inside, snap the cover closed tight and go back to fastening the stupid clear plastic boots I had just slipped over my too-tight loafers before she called me to her powder room lair.
“Look!” she commands. She points to the incision, belly button to pubic hair, thick and oozing and pink and punctuated with black stitches top to bottom. It’s a railroad track, a railroad track leading somewhere I never want to go. Female troubles. Hysterectomy. Screaming now, she raises her raw-knuckled fist and shakes her arm, a metronome set faster than I could ever play.
“Look! Look, you ingrate! You dummy! Look!” A bitter truth sinks into my bones: she despises me; I will not come next time she calls. Still erupting, she looks like she’s about to pop straight into the air; I want to see her head crack against the ceiling.
I spin around, grab my books and rush outside. Coat unbuttoned, I barely notice the bracing cold. I kick off my five-and-dime substitutes for winter boots and stuff them in my coat pockets, one bulging on each side. I suck in the biting air, roll up the waistband of my two-sizes-too-big skirt and trudge forward, bent on getting a smile on my face before my first-period class.
The shortened scene in second person:
She calls out; you run over. She is up against the pink sink, robe open, bare breasts hanging. You’ve never seen her nipples before, but it’s her radioactive brown eyes that really give a jolt. You edge toward the dining room table where your schoolbooks wait—a tower of formulas, timelines, verb conjugations and love notes undelivered. Growls from the basement heater rumble up the stairs.
“Don’t back away from me,” she snaps. She juts out her chin and raises her eyes. You’re taller than her 4’11″ by a good four inches, and growing—a reminder that you are not her flesh and blood, that you are one of three girls who came with the widower she married: your father, now dead.
You step forward and see the toothpaste splattered on the mirror, the pink rose wallpaper, the pink and beige tiles, her pink-painted toenails, chipping at the edges. “Do you want me to help you with something before I go?” you ask.
She pulls down her underpants and rips off a thick gauze bandage to expose a wound so raw it appears to have a pulse all its own. You focus on the wrinkles between her eyebrows. “Take a look. Take a good look, Missy,” she spews. “This is pain. This is real pain, and you don’t know what that is. But mark my words, oh, mark my words. You don’t know what pain is, but your time is coming. Just you wait. Your time is coming. You’ll see.”
She reminds you of a jack-in-the box sprung loose, but you can’t stuff her back inside, snap the cover closed tight and go back to fastening the stupid clear plastic boots you had just slipped over your too-tight loafers before she called you to her powder room lair.
“Look!” she commands. She points to the incision, belly button to pubic hair, thick and oozing and pink and punctuated with black stitches top to bottom. It’s a railroad track, a railroad track leading somewhere you never want to go. Female troubles. Hysterectomy. Screaming now, she raises her raw-knuckled fist and shakes her arm, a metronome set faster than you could ever play.
“Look! Look, you ingrate! You dummy! Look!” A bitter truth sinks into your bones: she despises you, and you will not come next time she calls. Still erupting, she looks like she’s about to pop straight into the air; you want to see her head crack against the ceiling.
You spin around, grab your books and rush outside. Coat unbuttoned, you barely notice the bracing cold. You kick off your five-and-dime substitutes for winter boots and stuff them in your coat pockets, one bulging on each side. You suck in the biting air, roll up the waistband of your two-sizes-too-big skirt and trudge forward, bent on getting a smile on your face before your first-period class.